Person

Ashby, Alison Marjorie (1901 - 1987)

MBE

Born
7 February 1901
North Adelaide, South Australia, Australia
Died
1987
Occupation
Botanical artist and Botanical collector

Summary

Alison Ashby, the daughter of Edwin Ashby of the Wittunga garden, Adelaide, painted water colours of many hundreds of Australian flowers.

Details

Painted water colours of many hundreds of Australian flowers. The originals are now housed in the South Australian State Herbarium and more than 200 have been published as postcards.

Chronology

1960
Award - Member of the Order of the British Empire (MBE)
1975
Award - Australian Natural History Medallion

Archival resources

Private hands (Robertson, E.L.)

  • Alison Marjorie Ashby - Records, 1901 - 1987; Private hands (Robertson, E.L.). Details

Published resources

Encyclopedia of Australian Science and Innovation Exhibitions

  • McCarthy, Gavan; Morgan, Helen; Smith, Ailie; van den Bosch, Alan, Where are the Women in Australian Science?, Exhibition of the Encyclopedia of Australian Science and Innovation, First published 2003 with lists updated regulary edn, Australian Science and Technology Heritage Centre, Melbourne, Victoria, 2003, https://eoas.info/exhibitions/wisa/wisa.html. Details

Books

  • Ashby, Alison, Alison Ashby's wildflowers of southern Australia (Adelaide: South Australian Museum Board and Botanic Gardens, 1981), 80 pp. Details

Book Sections

Journal Articles

  • Corrick, M. G., 'Alison M. Ashby, 1975. Australian Natural History Medallionist', The Victorian naturalist, 93 (3) (1976), 95-96. Details

Resources

McCarthy, G.J.

EOAS ID: biogs/P001405b.htm

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Published by Swinburne University of Technology.
This Edition: 2024 November (Ballambar - Gariwerd calendar - early summer - season of butterflies)
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Cite this page: https://www.eoas.info/biogs/P001405b.htm

"... the rengitj, as a visible mark or imprint on the land, is characterised as a place of origin, the repository of all names, as well as a kind of mapped visual expression of the connection between people and places which is to be carried out in the temporal sequence of the journey." Fanca Tamisari (1998) 'Body, Vision and Movement: In the footprints of the ancestors'. Oceania 68(4) p260