Person

Fearnley, Cecily Lydia (1925 - 2022)

Born
8 March 1925
Brisbane, Queensland, Australia
Died
21 January 2022
Queensland, Australia
Occupation
Natural history artist and Naturalist

Summary

Cecily Lydia Fearnley (nee Sandercock) was awarded the Queensland Natural History Award in 2001 and has published several popular books on the flora and fauna of Noosa and surrounding areas. She joined the Queensland Museum as an art assistant in 1947 and her many duties included drawing extinct animals from their skeletal remains, illustrating Christmas cards and the museum's first set of information cards for sale.

Details

Chronology

1953
Life event - Married James Phillip Raymond Fearnley
2001
Award - Queensland Natural History Award, Queensland Naturalists' Club
2022
Buried - Toowong Cemetery, Brisbane, Queensland

Published resources

Encyclopedia of Australian Science and Innovation Exhibitions

  • McCarthy, Gavan; Morgan, Helen; Smith, Ailie; van den Bosch, Alan, Where are the Women in Australian Science?, Exhibition of the Encyclopedia of Australian Science and Innovation, First published 2003 with lists updated regularly edn, Australian Science and Technology Heritage Centre, Melbourne, Victoria, 2003, https://eoas.info/exhibitions/wisa/wisa.html. Details

Edited Books

  • McKay, Judith ed., Brilliant Careers: Women Collectors and Illustrators in Queensland (Brisbane: Queensland Museum, 1997), 80 pp. Details

Resources

Annette Alafaci; Ken McInnes

EOAS ID: biogs/P004771b.htm

This Edition: 2026 February - 1926 Centenaries
Kooyang - Gariwerd calendar - Late summer: late January to late March - season of eels
Reference: https://www.bom.gov.au/resources/indigenous-weather-knowledge/indigenous-seasonal-calendars/gariwerd-calendar#bom-anchor-list__item-kooyang-season-of-eels

Publisher: Swinburne University of Technology.

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Cite this page: https://www.eoas.info/biogs/P004771b.htm

For earlier editions see the Internet Archive at: https://web.archive.org/web/*/www.eoas.info

"... the rengitj, as a visible mark or imprint on the land, is characterised as a place of origin, the repository of all names, as well as a kind of mapped visual expression of the connection between people and places which is to be carried out in the temporal sequence of the journey." Fanca Tamisari (1998) 'Body, Vision and Movement: In the footprints of the ancestors'. Oceania 68(4) p260