Person

Thomson, Gladys (1900 - ?)

Born
1900
Melbourne, Victoria, Australia
Occupation
Natural history artist

Summary

Gladys Thomson was a trained scientist with a talent for precise, detailed illustrations. In 1929 and again in 1932 she travelled to Cape York with her husband Donald where they carried out ethnographic research on local aboriginal people and made substantial collections of mammals, birds and reptiles. Upon her return to Melbourne Thomson would make pen-and-ink illustrations of the specimens and writings about their trips. She prepared illustrations for many of her husband's anthropological works which were published in widely. She also prepared a series of tinted photographs and illustrations for Alfred Ewart's book The Flora of Victoria. Much of her work is housed as part of the Donald Thomson Collection at the Museum of Victoria.

Details

Chronology

1928
Education - Bachelor of Science (BSc), University of Melbourne
1929
Career position - Expedition to Cape York
1931
Career position - Illustrated The Flora of Victoria by A. Ewart
1932 - 1933
Career position - Expedition to Cape York

Archival resources

The University of Melbourne Archives

  • Donald Fergusson Thomson - Records, 1930 - 1970; The University of Melbourne Archives. Details

Published resources

Encyclopedia of Australian Science and Innovation Exhibitions

  • McCarthy, Gavan; Morgan, Helen; Smith, Ailie; van den Bosch, Alan, Where are the Women in Australian Science?, Exhibition of the Encyclopedia of Australian Science and Innovation, First published 2003 with lists updated regulary edn, Australian Science and Technology Heritage Centre, Melbourne, Victoria, 2003, https://eoas.info/exhibitions/wisa/wisa.html. Details

Edited Books

  • McKay, Judith ed., Brilliant Careers: Women Collectors and Illustrators in Queensland (Brisbane: Queensland Museum, 1997), 80 pp. Details

Resources

Annette Alafaci

EOAS ID: biogs/P004766b.htm

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"... the rengitj, as a visible mark or imprint on the land, is characterised as a place of origin, the repository of all names, as well as a kind of mapped visual expression of the connection between people and places which is to be carried out in the temporal sequence of the journey." Fanca Tamisari (1998) 'Body, Vision and Movement: In the footprints of the ancestors'. Oceania 68(4) p260