Person

Lycett, Joseph (c. 1774 - 1828)

Born
c. 1774
Staffordshire, United Kingdom
Died
9 February 1828
Birmingham, United Kingdom
Occupation
Artist

Summary

Joseph Lycett was a portrait and miniature printer who was transported to New South Wales for forging banknotes, arriving in February 1814. His early years in the colony were spent in Sydney and Newcastle where he practiced his art. Lycett became known for his topographical views of towns and the dramatic landscapes of New South Wales. He is particularly noted for his paintings of the Indigenous people, some of the earliest such portraits. In September 1822 he returned to England and published his Views in Australia or, New South Wales and Van Diemen's Land. Lycett seems not to have given up his taste for forging, either in the colony or on return to England. Many of his original works are held by the Mitchell and Dixson Libraries in Sydney, the National Library of Australia (Canberra) and the Tasmanian Museum and Art Gallery(Hobart).

Details

Chronology

February 1814
Life event - Arrived in Australia
28 November 1821
Life event - Received an absolute pardon
September 1822
Life event - Returned to England

Published resources

Books

  • Lycett, J., Views in Australia or, New South Wales & Van Diemen's Land delineated, in fifty views, with descriptive letter press (London: J. Souter, 1824[-5]), 15 pp. Details
  • Maynard, John, True light and shade: an Aboriginal perspective of Joseph Lycett's art (Canberra: National Library of Australia, 2014), 168 pp. Details
  • Turner, John, Joseph Lycett: Governor Macquarie's convict artist (Newcastle, N.S.W.: Hunter History Publications, 1997), 148 pp. Details

Book Sections

  • Rienits, Rex, 'Lycett, Joseph (1774-1828), convict and artist' in Australian dictionary of biography, volume 2: 1788 - 1850 I-Z, Shaw, A. G. l. and Clark, C. M. H., eds (Carlton, Vic.: Melbourne University Press, 1967), pp. 140-1, https://adb.anu.edu.au/biography/lycett-joseph-2382. Details

Edited Books

  • McPhee, John ed. ed., Joseph Lycett: convict artist (Sydney: Historic Houses Trust of New South Wales, 2006), 285 pp. Details

Helen Cohn

EOAS ID: biogs/P008080b.htm

This Edition: 2026 August - Bibliographies
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"... the rengitj, as a visible mark or imprint on the land, is characterised as a place of origin, the repository of all names, as well as a kind of mapped visual expression of the connection between people and places which is to be carried out in the temporal sequence of the journey." Fanca Tamisari (1998) 'Body, Vision and Movement: In the footprints of the ancestors'. Oceania 68(4) p260