Award

Waterhouse Natural Science Art Prize (2002 - )

South Australian Museum

From
2002
Adelaide, South Australia, Australia
Website
https://www.samuseum.sa.gov.au/c/waterhouse

Summary

The Waterhouse Natural Science Art Prize has been presented since 2002 by the South Australian Museum. This now biennial award provides an opportunity for artists to investigate the world around them and present their perspectives on natural science. It encourages artists to make a statement about the scientific issues facing our planet, and offers a valuable platform for them to contribute to the environmental debate. Entries may be in any medium except photography, and must relate to the natural world and the sciences associated with it, such as biology, natural history, geology, astronomy, chemistry and physics. The Prize commemorates Frederick Waterhouse, the first Curator of the museum of the South Australian Institute, the predecessor of the South Australian Museum.

Skip to

Related Corporate Bodies

Related People

Helen Cohn

Created: 20 October 2022, Last modified: 27 October 2022

EOAS ID: biogs/P007113b.htm

Except where otherwise noted, content on this site is
Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
What do we mean by this?

Published by the Centre for Transformative Innovation, Swinburne University of Technology.
This Edition: 2024 February (Kooyang - Gariwerd calendar)
Reference: http://www.bom.gov.au/iwk/calendars/gariwerd.shtml#kooyang
For earlier editions see the Internet Archive at: https://web.archive.org/web/*/www.eoas.info

The Encyclopedia of Australian Science and Innovation uses the Online Heritage Resource Manager (OHRM), a relational data curation and web publication system developed by the eScholarship Research Centre and its predecessors at the University of Melbourne 1999-2020. The OHRM has been maintained by Gavan McCarthy since 2020.

Cite this page: https://www.eoas.info/biogs/P007113b.htm

"... the rengitj, as a visible mark or imprint on the land, is characterised as a place of origin, the repository of all names, as well as a kind of mapped visual expression of the connection between people and places which is to be carried out in the temporal sequence of the journey." Fanca Tamisari (1998) 'Body, Vision and Movement: In the footprints of the ancestors'. Oceania 68(4) p260