Published Resources Details

Conference Paper

Author
Broughton, Bob
Title
Gunpowder technology in Tasmania: A partial history of black powder technology in VDL and Tasmania
In
16th Engineering Heritage Australia Conference: Conserving Our Heritage - Make a Difference!
Imprint
Engineers Australia, Barton, Australian Capital Territory, 2011, pp. 239-261
ISBN/ISSN
9780858258877
Url
https://search.informit.org/doi/10.3316/informit.895328196885993
Abstract

The realization that there was virtually no commercial production of gun powder in Tasmania led to writing the current paper, based on a revised historical perspective. The paper briefly examines why there was an absence of commercial production of gunpowder in Tasmania and, through contemporary records and building relics, examines the extent to which gunpowder infrastructure was purely related to distribution and consumption. Surviving archaeological relics of explosives engineering are examined for relevance and to provide clues to confirm the lack of explosives engineering in Tasmania. Why did a gunpowder infrastructure fail to eventuate? Because it was actively discouraged by the British government, is the overwhelming reason. Commercial competition from other industries appears to have been the other major factor up to the late 1840's. Importantly the raw materials for gunpowder are quite specific and were not easily substituted in the Colonial period. The other major hindrance was a lack of specialist engineering expertise, in our very distant colony. The Shot Tower at Taroona does underline that where the entrepreneurial climate favoured, then innovative ordnance engineering did occur.

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EOAS ID: bib/ASBS06876.htm

This Edition: 2026 February - 1926 Centenaries
Kooyang - Gariwerd calendar - Late summer: late January to late March - season of eels
Reference: https://www.bom.gov.au/resources/indigenous-weather-knowledge/indigenous-seasonal-calendars/gariwerd-calendar#bom-anchor-list__item-kooyang-season-of-eels

Publisher: Swinburne University of Technology.

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"... the rengitj, as a visible mark or imprint on the land, is characterised as a place of origin, the repository of all names, as well as a kind of mapped visual expression of the connection between people and places which is to be carried out in the temporal sequence of the journey." Fanca Tamisari (1998) 'Body, Vision and Movement: In the footprints of the ancestors'. Oceania 68(4) p260